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November 28, 2006

Bossa "Automator"

Check out the newest Bossa "Automator" function.

The Automator is Bossa’s built-in Timer – Let Bossa turn your music on and off.

Schedule your music when you want and how you want. With the Automator you can play a timed event of any genre, artist, album, mix or any combination of these any time of the day. Any time of the week.

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Here you can see that the Automator is programmed to run the "Killer Mix" from 1 to 4PM on Tuesday and the "Slow Mix" from 4 to 7PM. You can make any combination of schedules 24 hours a day. The Automator plays your music and turns you music on and off. All you have to do is schedule it and let it run! It's that easy.

Check www.mybossa.com for more information on all the Bossa player features.


November 20, 2006

Stereotyp 'Keepin Me'

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Stefan Moerth, better known to the music world as Stereotyp, is a hardcore producer. And it's not that he makes Hardcore music, which he often does, but that his life is all about producing. Stereotyp tours seldom, rarely does interviews, and 90% of his time is spent in the studio. As a result his tracks are meticulously crafted and filled with micro-sonic details that peel away and reveal themselves in complex layers only after repeat listening. An average Stereotyp production is mind-blowing to say the least, and any DJ that had a chance to test his work in a club environment will testify to this fact. Every Stereotyp beat is bass heavy, 5th element type futuristic, and sonically altered. And this goes for all genres Moerth retouches and updates, be it Dancehall, Hip Hop or Soul - and he done touched them all. His now classic G-Stone debut entitled My Sound (2002) was a foray into the future of Dancehall and Soul music. With this release Moerth showed the possibilities of a sonic future that is still due to arrive. Many remixes later, he paired up with Al Haca and dropped, what could be one of the most advanced takes on Dancehall and Hip Hop on the market today - the Phase III (2004) LP released by Klein Records. Just the collaborations alone speak for the weight of the Stereotyp Opus. Some of the voices that touched his instrumentals belong to legends such as: Cappadonna (Wu Tang Clan), Daddy Freddy, Hubert Tubbs (Tower of Power), Lady Saw, Hawk Eye, Ras B and Spectacular - to name a few. Just for the record - Stereotyp still lives in Vienna, where he continues to offend the local, but yet internationally renowned Down-tempo scene by pushing a sound Vienna is not yet recognized for.

November 13, 2006

Urban Legend 'Tranquilidad Cubana'

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Recorded in Havana, Los Angeles and New York, The Urban Legend sound is an eclectic mix of various Cuban styles with an infusion of Electronica, Lounge and Hip Hop. A diverse cast of more than 20 top musicians were involved in the recording of this record. From Cuban percussionists and MCs to LA Djs and New York Jazz musicians. The result is a funky Cuban re-mix sound, perfect to accompany the drinking of mojitos, dancing or just watching the sunset.

November 10, 2006

Forro In The Dark 'Bonfires Of São João'

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Of all amazing bands that play at Nublu, Forro in the Dark is the one that has been filling up this NYC club every single Wednesday for the past two and a half years!! Rain, snow, shine—there’s always a line outside on a Wednesday night. Why? Forro captures a vibe that could only be created in this part of town, in this part of the world, by these kinds of musicians. Mauro Refosco, the leader of the band, also plays with Bebel Gilberto, David Byrne, and Caetano Veloso to name a few. He has the magic of always making Forro’s performances a party. Despite the fact that forro is the traditional style of music from the Northeast of Brazil, Mauro and friends have evolved this music into a NYC/Nublu style . They extend the songs, repeat melodies, taking the rhythms throughout Brasil and Africa and back to the downtown NYC scene. They are spectacular—a band suited to fans of not only world music but fans of jazz, rock and dance music. This Album features vocal contributes from Bebel Gilberto, David Byrne, and Miho Hatori.

November 08, 2006

Jhelisa 'A Primitive Guide To Being There'

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Internationally acclaimed artist Jhelisa Anderson was born in Jackson, Mississippi. The Anderson family was a singing family, with Jhelisa's father on the piano and organ. She began her career in 1990 in London with the UK band Soul Family Sensation releasing the album “New Wave” on One Little Indian. With lablemates The Shamen Jhelisa then recorded two top ten hit singles “Love Sex and Intelligence”, and “Phorever People” earning Jhelisa a platinum album with The Shamen. She also guested on Bjork’s “Debut” album. In 1994, after developing into an accomplished solo artist singing, writing, and producing under her first name Jhelisa, she released her first album “Galactica Rush” on Dorado Records, followed two years later by “Language Electric”, both highly critically acclaimed. Shortly after she began to record with Bryan Ferry, Courtney Pine, Massive Attack, Chaka Khan, and Da Lata. Jhelisa's best known track is “Friendly Pressure”.

Touring in the UK, Europe, and Japan Jhelisa shared the bill with the legendary James Brown, The Roots, Michael Franti, and Roy Ayers. Besides her musical activities, Jhelisa was featured in the Italian film “The Protagonist” starring British actress Tilda Swinton and was also one of the featured artists on the Nitin Sawhney tour in 2003, opening up for Sting, and culminating in a successful performance at the Royal Albert Hall in London for a sold out audience. Jhelisa has traveled extensively in both Africa and Brazil and taken inspiration from the rich musical cultures around the world. In 2004 Jhelisa moved to New Orleans to record her new album “Discovery of Amazing” for INFRACom!. When hurricane “Katrina” hit New Orleans Jhelisa left the city. Her studio and her house were destroyed by the flood and part of the album is lost too. Jhelisa now is completing the recordings in Atlanta. The album will be re-named: “A primitvie guide to being there” and it will be sold as a bundle toghether with the DVD “One week with Jhelisa - Rediscovering America”. Jhelisa was very outraged at the circumstances of the evavcuation and rescues at New Orleans and therefore held a press conference at the Popkomm Berlin 2005 and wrote a statement as well. Film director Markus Bader and DJ and INFRACom! label manager Jan Hagenkoetter visited Jhelisa in New Orleans in spring 2005 and filmed Jhelisa in New Orleans as she worked on her forthcoming album. Jhelisa introduces to the diversity of New Orleans, from the slave plantations to the city's boiling nightlife, always from a very personal and critical perspective, moulded by her European years and her journeys through Brazil and South Africa. “One week with Jhelisa - Rediscovering America” has become a rare and precious testimony of the sunken musical capital of New Orleans.

November 07, 2006

Tommy Guerrero 'From The Soul To The Soil'

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Once upon a time, the City of San Francisco gave birth to a diminutive 3-headed beast named Tommy Guerrero. From a very young age, the kid could skateboard up walls and down hills like no one else. He played in punkrock bands well before he could even get into the clubs legally. And he displayed an artistry in Life that few folks ever achieve. At 40, the guy’s resume reads like a dream- Bones Brigade skate team in the 80’s, movie appearances, co-founder of Real Skateboards and 40’s Clothing, art director for Krooked Skateboarding, and prolific recording artist- from the “Fat Jazzy Grooves” and “Another Late Night” compilations, to albums for Mo’Wax, Galaxia, Function 8 and now Quannum, T.G. has lead a full life. Then there’s the collaborations with Lyrics Born, Jack Johnson and Prefuse 73. Remixes for Money Mark/Nigo, Poets of Rhythm and Sean Lee. His band Jet Black Crayon has toured with Isotope 217 and Tortoise. He’s scored tunes for Thomas Campbell’s surf film “Sprout” and had the honor of being the sole provider of music for Todd Oldham’s show “Hand Made Modern” on HGTV. He’s packed houses from the Fujirock Festival to Café DuNord in S.F. and MaxFish in N.Y.C. Tommy’s music, like his graphic design, is beguilingly simple. He sounds like a guy messing around on his front stoop, and maybe that’s exactly what he is- but the result will touch you down to your toes. From Mission District punkers to Shibuya-Ka hipsters- his melodies dance lightly around your head while the rhythms build under your feet. His is SOUL music, made by a street kid raised on Santana and Bill Withers. With more than a little nod to the Clash and Public Enemy in there, too.